Test Bank for The Musicians Guide to Theory and Analysis 1st Edition by Clendinning

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Test Bank for The Musicians Guide to Theory and Analysis 1st Edition by Clendinning

Download FREE Sample Here for Test Bank for The Musicians Guide to Theory and Analysis 1st Edition by Clendinning. Note : this is not a text book. File Format : PDF or Word

Product Description Complete downloadable Test Bank for The Musicians Guide to Theory and Analysis 1st Edition by Clendinning. INSTRUCTOR RESOURCE INFORMATION TITLE: The Musicians Guide to Theory and Analysis RESOURCE: Test Bank EDITION: 1st Edition AUTHOR: Clendinning, Marvin PUBLISHER: PB0 PREVIEW PDF SAMPLE Test-Bank-The-Musicians-Guide-Theory-Analysis-1st-Edition-Clendinning Table of Contents 1 Pitch and Pitch Class 2 Beat, Meter, and Rhythm: Simple Meters 3 Pitch Collections, Scales, and Major Keys 4 Minor Keys and the Diatonic Modes 5 Beat, Meter, and Rhythm: Compound Meters 6 Pitch Intervals 7 Triads and Seventh Chords 8 Intervals in Action (Two-Voice Composition) 9 Melodic and Rhythmic Embellishment in Two-Voice Composition 10 Notation and Scoring 11 Voicing Chords in Multiple Parts: Instrumentation 12 The Basic Phrase Model: Tonic and Dominant Voice-Leading 13 Embellishing Tones 14 Chorale Harmonization and Figured Bass 15 Expanding the Basic Phrase: Leading-Tone, Predominant, and 6/4 Chords 16 Further Expansions of the Basic Phrase: Tonic Expansions, Root Progressions, and the Mediant Triad 17 The Interaction of Melody and Harmony: More on Cadence, Phrase, and Melody 18 Diatonic Sequences 19 Intensifying the Dominant: Secondary Dominants and Secondary Leading-Tone Chords; New Voice-Leading Chords 20 Phrase Rhythm and Motivic Analysis 21 Tonicizing Scale Degrees Other Than V 22 Modulation to Closely Related Keys 23 Binary and Ternary Forms 24 Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants 25 Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths 26 Popular Song and Art Song 27 Variation and Rondo 28 Sonata-Form Movements 29 Chromaticism 30 Modes, Scales, and Sets 31 Music Analysis with Sets 32 Sets and Set Classes 33 Ordered Segments and Serialism 34 Twelve-Tone Rows and the Row Matrix 35 New Ways to Organize Rhythm, Meter, and Duration 36 New Ways to Articulate Musical Form 37 The Composer’s Materials Today DOWNLOAD SAMPLES

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